Monday, October 26, 2015

Something Next to Normal

Something Next to Normal
By Henry Ballesteros with Amber James

What does it mean to be "normal"? When I first saw Next to Normal some years ago, I wondered why a musical that deals with m any heavy topics would talk about normality in its title. There is obviously nothing normal about this musical. I mean, it says it right in the title. The show is about a woman with bipolar disorder, which right away is something our society doesn’t bring up in conversation. It also talks about substance abuse, grief, marital issues and American medical practices. Near the end of the show when Diana, the main character who has "bipolar­depressive disorder with delusional episodes," talks with her daughter, Natalie who is struggling with substance abuse. Diana tells her that she only ever wanted to give her a normal life. In which, Natalie gives a profound response that really struck home with me: “I don’t need a life that’s normal, that’s way too far away. But something next to normal would be okay."

This week, this Pulitzer Prize winning musical will open in the SUU Auditorium theatre. Working on this show is some of the most amazing talent our school has to offer. From technicians and crew that make things run behind the scenes to the amazing cast who puts their hearts and souls on the stage for everyone to see to the director who has spent many months making this one of the greatest shows SUU has produced to date.




(Left) Courtney McMullin, (Right) Josh Durfey.
Josh Durfey, a classical acting BFA senior and the director of this show, has assembled the perfect cast to put on this magnificent work. I was privileged to sit in on one of their recent rehearsals and observe something truly remarkable. I felt that same sense I had felt years ago, that this was no ordinary musical. This cast is Broadway quality, just a few years younger.

But then I started to worry, in my experience, people who aren’t familiar with modern musical theatre still hold styles like Rodgers and Hammerstein as their template for musicals. They think of beautiful classic music and shows filled with larger­than­life romantic characters. Which in the case of Next to Normal is not true by any means.
Next to Normal is a rock musical and contains much of what you would find at a concert, or in folk rock songs from the past few years. It’s upbeat, thematic and very catchy. It is a musical for the new generation. But I also started to notice the themes of the show...things like mental illness, suicide and extramarital pregnancies that a lot of people don’t like to talk about publicly. The characters in this show are real p eople. They talk like real people and make very real mistakes. Let's face it, haven't we all made our own mistakes?
In short, this is no longer the world of Shakespeare and Rogers and Hammerstein. While the classics should always be treasured.

According to multiple sources, the state of Utah ranks highest in the nation for the percentage of adults who experience a form of mental illness. Utah also ranks very high in nationwide suicide
statistics and in the past decade Utah has experienced a more than 400% increase in deaths associated with misuse and abuse of prescription drugs. To say that this show doesn't hit close to home would be very wrong.

It's true, not everyone has depression or a drug addiction, but I would argue that most people know someone who deals with one or more of these issues. People whom they know and love, and want to get help they need.

This show has characters who struggle with all kinds of issues and don’t necessarily show it on the outside. They are people who deserve to be loved, who deserve understanding and comfort in these difficult circumstances. In watching this show, these characters became real.
Because this musical deals with many harsh realities, strong language is used and there is content that I’m sure that a lot of people will find abrasive to what they are used to in their own lives. But as I watched the show progress and the story about a family hurting on the inside became clear, I realized how applicable this really is to e veryone, whether they know it or not. Many, many people go through the exact same things and many, many people are hurting on the inside.


There's a moment in the show where the dad yells at his daughter for swearing. Which reminded me of myself swearing in front of my mother and her quick reaction to tell me to stop. There is strong language in the show, language that I know a lot of people aren’t accustomed to hearing in their everyday life, and that many people prefer to stay away from, which is understandable. But I would also like to argue that this show, unlike a lot out there, is not overly excessive in any "vulgarity". Next to Normal uses strong language to drive the point forward and to verbalize the frustration and fear the characters are feeling. It hits you and makes you feel things because that is the purpose it serves. The characters in this show are people who use this particular language in their lives, and in order to represent real life, Brian Yorkey and Tom Kitt wrote in cursing to preserve that element.


(Left) Josh Durfey, (Right) Christine Casper.
This show made me realize that theatre is about what it is to be human. Humans who are happy, and sad, who seem “normal” and humans who are hurting. Mental Illness is something that almost everyone deals with on a regular basis, and it needs to be addressed. What Next to Normal does for whoever comes to see it creates a dialogue. It starts a conversation for anyone who will sit in those seats and think about how this show relates to their own lives. Thinking things like “I have that" or “I’m depressed, and I’m hiding behind drug use" or "My brother struggles with these same things and I could show him much more compassion."

Theatre in my opinion is an incredible teaching tool. It is supposed to promote the truths of the human experience, focus on others and create awareness. These are the things this amazing show does. There is something to learn from Next to Normal. But you can only learn if you come.

I know that in my own life, with school, work, and a busy schedule, life is anything but normal. But when I think about it, something next to normal is okay. If you have the chance to see this show, GO! It’s filled with laughter, heart, tears and tragedy. Everything that we as human beings deal with from the moment we wake up in the morning to moment we go to bed at night. “It is not a feel good musical, it is a feel everything musical.” Ben Brantley New York Times. 

Tuesday, September 15, 2015

Meet your Media Team!

Hello SUU Theatre Arts and Dance students! Now that the fall semester is underway and we're gearing up for a spectacular year of performances and events, we wanted to introduce you to your media team for this school year. These are the people in charge of keeping you updated on the goings-on of the department through all forms of social media. We will be making posts and snapping pictures this whole school year, documenting and advertising all the wonderful things we do in SUU TAD. Read below to get to know us a little better and be sure come say hello if you haven't met any of us yet!

Henry Ballesteros 


Originally from Layton, Utah, Henry is a junior theatre arts major in the Classical Acting BFA program. At SUU, you might have seen him as Bellomy in The Fantasicks!, Avram in Fiddler on the Roof, William Barfee in The 25th Annual Putnam County Spelling Bee, or Constable/Nym in Henry V. He has also performed with the Utah Shakespeare Festival and the Neil Simon Festival. If you have yet to meet Henry, you can see him as Polonius in our upcoming mainstage production of Hamlet this October or just listen around campus for his infamous laugh!

HENRY FUN FACTS!

Favorite dessert: Salad with Wishbone Italian dressing

Favorite time period: Regency England 

Favorite smell: Actor's Equity approved stage smoke  

Random fact: "I love to construct model kits to movie quality standards. I'll spend up to a year working on one model."

Amber James


Amber, born and raised in Arizona, is a senior theatre arts major with a Classical Acting emphasis. You might have seen her as Hermia in A Midsummer Night's Dream, Mabel Chiltern in An Ideal Husband, Balthesar in Romeo and Juliet, or Mrs. Cratchit/Virginia Pine in A Christmas Carol: On the Air! She also assistant directed Henry V and A Streetcar Named Desire on-campus and performed with the Utah Shakespeare Festival and the Neil Simon Festival. She will be playing Horatio in Hamlet this October.

AMBER FUN FACTS!

Dream vacation: Traveling all over England, Italy, and Croatia  

If you could have dinner with one person, dead or alive, who would you pick and why? 
"Oscar Wilde, because I feel like we would have hilariously entertaining dinner conversation." 

Favorite play: Much Ado About Nothing by William Shakespeare 

Favorite smell: A library or bookstore 

LayCee Houghton


LayCee is a junior Dance/Secondary Education major with an emphasis in Special Ed from Heber City, Utah. She has been very involved in all the dance concerts (both student and faculty choreographed) since her first year at SUU. She has worked with all the guest choreographers that have come in since 2013. She was a choreographer in the student dance concert last fall and in the summer of 2014 she traveled to Taiwan with Paul and Chien-Ying to study dance at the National Arts School for two weeks. She is currently working on choreographing a piece for We've Got Rhythm, the student dance concert this fall.

LAYCEE FUN FACTS!

Favorite time period: The 1980's

Dream vacation: Backpacking through Europe

Favorite smell: Essential oils

Random fact: "I fall on flat surfaces. Daily. Not fun for me, but fun when I tell people my stories!"

Carly Christensen


Carly is a sophomore theatre arts major, also in the Classical Acting BFA program, from Phoenix, Arizona. She has performed on-campus as Luisa in The Fantasticks!, Olive Ostrovsky in The 25th Annual Putnam County Spelling Bee, Shandel in Fiddler on the Roof and off-campus as a member of the Lake Powell Playhouse acting company this summer. See her take on the leading role of Diana in Next to Normal this fall and if you see her around campus, ask to see her spot-on Miranda Sings impression!

CARLY FUN FACTS! 

Favorite dessert: Cheesecake. Any cheesecake.

Favorite TV series: "Gilmore Girls. I've seen every single episode 9 times. Monkey monkey underpants."

Favorite play/musical: Peter and the Starcatcher or anything Sondheim 

If you could have dinner with one person, dead or alive, who would you pick and why?
"I would definitely sit down to dinner with Regina Spektor. I'm pretty sure we are soul mates. I want to know every single thing about her. Seriously. I want to know which shoe she ties first. Her views on culture, religion, and just life in general are so unique and so beautiful. We could chat for hours."

Colton Needles


A Cedar City native, Colton is a senior theatre arts major. Here at SUU, Colton has appeared as a Bottle Dancer in Fiddler on the Roof, King Henry in Henry V, Sampson in Romeo and Juliet, and Leaf Coneybear in The 25th Annual Putnam County Spelling Bee. He also performed with the Neil Simon Festival this past summer. You can see Colton this semester as Henry in Next to Normal, opening at the end of October, or if you spot him on campus go say hello and he'll be sure to greet you with enthusiasm and energy!

COLTON FUN FACTS! 

Favorite TV series: Breaking Bad or True Detective 

If you could have dinner with one person, dead or alive, who would you pick and why?
"Probably Alfred Hitchcock. From what I read about him he sounds like a really cool guy. Plus he was a genius so there's that too. I feel like we would get along pretty well."

Dream vacation: Tour of Europe or all the Disney parks

Random fact: "You (yeah, you) are going to die someday."



Monday, January 26, 2015

Doubting with Madison Ford


Working hard at Doubt rehearsal.




Many know and love the beautiful Madison Ford's acting - with roles like Lady Capulet in Romeo and Juliet, Miss Chevely in An Ideal Husband, and most recently as Alice and Montjoy in Henry V. Madison is an Irene Ryan nominee, former fellow for the Utah Shakespeare Festival, and all around a force to be reckoned with. She is currently working on Second Studio's production of Doubt, and we wanted to get the inside scoop.





J: Where are you from, what grade are you in, what is your emphasis?
M: I am from Stansbury Park Utah, I am a Senior, and I am getting my BFA in Classical Acting.

J: What are you doing for Doubt?
M: I am the Assistant Director.

J: Is this the first Second Studio show you've been involved with?
M: This is the first Second Studio show I've been involved with not on the acting side.

J: What made you want to try Assistant Direct?
M: After taking the directing classes at SUU I found that I had a kind of aptitude for it and I wanted to explore that a little bit further. I wanted to explore it in a safer capacity than just jumping straight into directing something on my own. I figured I'd assistant direct, see how much I liked it there, and then maybe try next year for a Second Studio or the main-stage.

J: How is it working with Nate, as Director?
M: I love working with Nate. I'm learning a lot from him about setting expectations and then making sure your actors respect you enough to meet those expectations. Listening to him ask his actors questions to help them find their way into their own discoveries was something I always struggled with in classes. I would usually say "this is exactly what I need from you, you have no free range" because I just didn't know how to let them find their way.

J: What has been the most rewarding or challenging part of the process so far?
M: Our cast is only 4 people and 3 of those people are Freshman - they're all fabulous, we wouldn't have cast them if they weren't going to do well, but everyone comes into college with habits from High School that nobody tells them to stop. Finding those habits and helping them to overcome them has been the biggest challenge so far. The biggest reward for me personally was one night working with Karl on one of his sermons; he had been telling me he wasn't feeling it and that he wasn't finding his way into the character. After we worked on it a little bit he gave a performance that almost had me crying, it was beautiful.
Madison a Melinda Vaugn's understudy in Sherlock.

J: What would you like to be doing 10 years from now?
M: I want to be performing. As much as I've liked learning how to direct I am more into the performing side of the field. I'd like to be performing successfully with an actual place to base myself out of and not just be living out of a suitcase. I'd like to have a dog or cat. That's basically the goal in 10 years. I could get married, but I'd rather have a cat.

J: Any interesting facts about you
M: I've been stung by a jellyfish 3 times and I was kidnapped for about 15 minutes when I was 18 months old.

J: Any last words on Doubt?
M: Doubt is an incredible show that will take anybody who comes on a journey to discover their own thought processes. Hopefully by the end of the show everyone will leave with a different opinion of what actually happened and they'll be questioning not only if they were right in their certainties but also whether it was moral of them to feel right in their certainties. It's a beautiful piece of art that is going to make everyone just really confused in the best possible way

Doubt runs February 4-7 in the Blackbox in the Auditorium. It starts at 7:30 and costs $5.

For all those who can't get enough of this amazing woman, be sure to see A Streetcar Named Desire this April where Madison will play the iconic role of Stella Kowalski.